GFM

Dr. Johnsons House

Bank · 0.1 miles

Dr Johnson's House is a writer's house museum in London in the former home of the 18th-century English writer and lexicographer Samuel Johnson. The house is a Grade I listed building.

Queen Anne

Bank · 0.1 miles

A copy of Francis Bird’s 1712 marble statue of Queen Anne stands in the forecourt on the west side of St Paul’s Cathedral, within the City of London and closest to the Bank area. The monument, which achieved Grade II listed status in 1972, presents the monarch in regal attire, holding a gilded orb and sceptre while facing Ludgate Hill. She is set upon a Portland-stone pedestal designed by Christopher Wren, the base being flanked by four allegorical figures that represent England, France, Ireland and North America, each bearing distinct symbols such as a trident, fleur-de-lys, harp and a feathered headdress. Heavy cast-iron railings enclose the three-step platform that supports the pedestal. The present sculpture replaces the original, which had been unveiled at a thanksgiving service for the Peace of Utrecht on 7 July 1713 and suffered repeated vandalism and weathering by the late 19th century. In 1885 a replica was commissioned from Sicilian marble; after the original sculptor, Richard Claude Belt, was imprisoned, Louis-Auguste Malempré completed the work. Installation was overseen by city architect Sir Horace Jones and the statue was unveiled by Lord Mayor Reginald Hanson on 15 December 1886. The monument’s inscriptions record both the 1712 erection of the first statue and the 1886 funding by the Corporation of London. Visitors to the cathedral’s forecourt can view the figure and its surrounding allegorical groupings at any time the cathedral precinct is open to the public.

The Original Cell

Bank · 0.1 miles

The library is first fire-proof building in the country. As a result, the cell doors weigh half a ton each and are cast iron in order to attempt any outbreak of fire. Cell was used to store documents and other archives.

St Paul's Churchyard

West Smithfield · 0.1 miles

The area surrounding St Paul’s Cathedral in the City of London has served as a public space with a long commercial and civic history. Historically the precinct incorporated St Paul’s Cross, an open-air pulpit where statements on the political and religious changes of the Reformation were proclaimed during the sixteenth and seventeenth centuries. A single execution is recorded there: the hanging of clergyman Henry Garnet, one of the conspirators in the 1605 Gunpowder Plot. By the early modern period the site functioned as one of London’s main marketplaces, and as of 2024 the narrow lane to the north of the cathedral grounds bears the name St Paul’s Churchyard. With the introduction of printing, the location became the focal point of England’s book trade before the activity shifted to nearby Paternoster Row. The trade was initially dominated by foreign booksellers; a 1484 act passed by Richard III’s only parliament encouraged their presence, and the king intervened to secure exemptions for printers and booksellers from later protectionist measures. The area is also mentioned by Alexander Pope in *An Essay on Criticism*, where he uses it as a literary reference. Today the site is classified as a park and is operated by St Paul’s Cathedral. It lies close to West Smithfield and can be reached on foot from surrounding streets. No admission fee or specific visitor facilities are listed, so access is unrestricted and the space forms part of the open environment surrounding the cathedral.

Temple Bar

St Clement Danes · 0.6 miles

The historic gateway that once marked the main ceremonial approach from Westminster into the City of London lies at the junction where Fleet Street meets The Strand, close to St Clement Danes. Known as Temple Bar, the site originally held a barrier that regulated trade and signalled the boundary of the City’s jurisdiction. From medieval times the route linked the Tower of London, the Palace of Westminster and St Paul’s Cathedral, making the bar a focal point for royal processions; the Lord Mayor traditionally presented the Sword of State to the monarch there. The surrounding built environment includes the 19th-century Royal Courts of Justice to the north and, on the south side, Temple Church together with the Inner and Middle Temple Inns of Court. The present structure is a memorial erected after the 17th-century Wren-designed archway was taken down in 1878. The monument is topped by a dragon symbolising the City and incorporates statues of Queen Victoria and Edward VII. Although the original stone arch was later re-erected in Paternoster Square beside St Paul’s Cathedral, the memorial at Temple Bar remains the focal point for visitors. The site is listed as a heritage monument and offers step-free, wheelchair-accessible access. No admission fee is required, and the open space allows a clear view of the surrounding legal precincts and the historic streetscape.

Memorial to Heroic Self Sacrifice

West Smithfield · 0.6 miles

A collection of ceramic tablets in Postman’s Park commemorates ordinary individuals who died while saving others, ensuring their deeds are not forgotten. The monument stands in the City of London, close to West Smithfield, and forms part of the park’s historic setting. Visitors can view the wall of tiles arranged in three visible rows, with the original 24 De Morgan tablets occupying the central row, a second row of later additions above, and a fourth row added in 1908 below. The design includes a 50-foot wooden loggia that shelters the wall, and the tiles record fifty-four incidents ranging from a police officer’s bravery to a schoolboy’s sacrifice. Although the original plan allowed for 120 tablets, work ceased in 1931 with 53 in place; a further tablet was added in 2009, marking the first new addition in 78 years. The memorial’s development began with a proposal by painter-sculptor George Frederic Watts in 1887, later revived by St Botolph’s vicar Henry Gamble in 1898. After Watts’s death, his widow Mary Watts oversaw the project until work stopped in the early 1930s. Subsequent tiles were produced by William De Morgan, Royal Doulton and, more recently, in the Royal Doulton style. Access to the site is via the public pathways of Postman’s Park; wheelchair access is limited, and no admission fee or visitor facilities are recorded. The monument remains open to the public as part of the park’s landscape.