Givenchy

Burlington Arcade

St. James's · 0.1 miles

A covered shopping arcade stretches for 196 yards between Piccadilly and Burlington Gardens, running parallel to Bond Street in the City of Westminster. Commissioned by George Cavendish, 1st Earl of Burlington, and designed by Samuel Ware, the passage opened on 20 March 1819 on the former side garden of Burlington House. Its original layout comprised a single, top-lit corridor lined with 72 two-storey units, a format that anticipated later European galleries and is recognised as an early example of a modern shopping mall. The arcade lies within the St James’s area and can be reached from either Piccadilly or Bond Street, with the nearby Piccadilly Arcade offering a comparable experience. Since its inception the arcade has maintained a reputation for upscale retail, now hosting around 40 shops that include clothing, footwear, accessories, art and antique dealers, and specialist jewellers in antique silver. Traditional beadles in top hats and frock coats patrol the promenade, enforcing a long-standing ban on singing, humming, whistling and other noisy conduct that dates back to its early days. The Piccadilly façade, enhanced with sculptures by Benjamin Clemens in 1911, adds a decorative touch to the historic interior. Although the arcade has survived fires, wartime damage and a 1964 robbery, it remains a protected landmark where visitors can stroll beneath its glazed roof without an admission charge.

Burlington House

St. James's · 0.1 miles

A prominent landmark on Piccadilly in Mayfair, Burlington House stands close to the St James’s district and exemplifies the transition from 17th-century private mansion to a centre for national learned societies. The original red-brick, double-pile house was begun around 1664 by Sir John Denham and completed after its 1667 sale to Richard Boyle, 1st Earl of Burlington. Subsequent generations of the Burlington family reshaped the building: a quadrant Doric colonnade and a re-configured staircase were added under James Gibbs, while Colen Campbell and William Kent introduced Palladian façades, Venetian windows and richly coved ceilings that remain among London’s most elaborate interiors. The government acquired the property in 1854, averting demolition plans for a new university campus, and by 1857 the Royal Society, the Linnean Society and the Chemical Society had taken occupancy. In 1867 the Royal Academy of Arts secured a 999-year lease for the main block, adding top-lit galleries and a third storey under Sidney Smirke’s design. Today the Royal Academy and five further learned societies continue to use the building, preserving its historic rooms such as the Saloon, the staircase by Sebastiano Ricci and Giovanni Antonio Pellegrini, and the “Fine Rooms” en filade created by Samuel Ware. The site therefore offers a tangible record of English Baroque and Neo-Palladian architecture alongside ongoing scholarly activity.

Wimbourne House

St. James's · 0.1 miles

A prominent Neo-Palladian townhouse dominates 22 Arlington Street in St James’s, Westminster, its west façade looking out over Green Park. Designed by William Kent, construction began in 1743 and continued after the architect’s death in 1748, reaching completion in early 1754. The building carries a Grade II* designation from Historic England and, according to OpenStreetMap, is recorded as a stately castle-type historic feature. Today the structure forms part of the event-room complex serving the adjoining Ritz Hotel, rather than operating as a public museum. The house originated as the London residence of Prime Minister Henry Pelham, who commissioned Kent at the start of his premiership. Subsequent occupants have included Granville Leveson-Gower, the 2nd Earl Gower, and Prime Minister Augustus FitzRoy, 3rd Duke of Grafton, before passing through the hands of several dukes and barons who each added or altered interiors. Notable 19th-century interventions were carried out by architect Owen Jones for the 7th Duke of Beaufort, and a ballroom was introduced by Ivor Guest, 1st Baron Wimborne. Most later additions were stripped away in the 1970s to restore Kent’s original character. In 2000, Ettwein Bridges Architects created specialised function suites, while Parisian designer Philippe Belloir oversaw interior finishes that echo the building’s historic ceilings, including restored grisaille paintings and Owen Jones’s fish-scale motifs. Access is therefore limited to private events hosted within the Ritz Hotel’s facilities.

Shaftesbury Memorial Fountain

St. James's · 0.6 miles

A striking water feature and memorial occupies the south-eastern edge of Piccadilly Circus, overlooking the south-west end of Shaftesbury Avenue. The bronze fountain supports a winged aluminium figure representing Anteros, the Greek god of selfless love, although it is commonly, though incorrectly, referred to as Eros. Erected between 1892 and 1893, the monument commemorates the philanthropic work of Anthony Ashley Cooper, 7th Earl of Shaftesbury, whose campaigns replaced child labour with schooling. The statue was the first in the world cast in aluminium and was designed by Alfred Gilbert, who chose the subject to symbolise the Earl’s charitable legacy. The memorial has been relocated twice: first in 1925 to Embankment Gardens during construction of a tube station, then again in 1939 when the statue was stored for safety during the Second World War, before returning to its present position on 29 June 1947. The fountain’s bronze basin and marine-inspired motifs were moulded by Fernando Meacci and likely cast by George Broad & Son. Visitors can view the monument at no charge; it forms part of a heavily trafficked public thoroughfare and is reachable on foot from nearby transport links. Wheelchair access is limited, reflecting the site’s historic layout. The surrounding area falls within the St. James’s district and the fountain is listed as a historic memorial under heritage protection.

Piccadilly Circus

St. James's · 0.6 miles

A busy traffic junction and public space in London’s West End, Piccadilly Circus links Piccadilly with Regent Street, Shaftesbury Avenue, the Haymarket, Coventry Street and Glasshouse Street. Situated in the St James’s area of the City of Westminster, the site sits close to the main shopping and entertainment districts that define the West End, making it a frequent meeting point for both locals and visitors. The northern corner is recognisable for its illuminated video displays and neon signage, while the Shaftesbury Memorial Fountain and the statue of Anteros stand at the southwestern edge of the roundabout. The layout dates back to 1819 when it was created to join Regent Street with Piccadilly, originally known as Regent Circus South. Over the years the circular form disappeared and the junction became a one-way roundabout in 1926, with traffic lights added the same year. Beneath the plaza lies Piccadilly Circus underground station, served by the Bakerloo and Piccadilly lines since 1906. Surrounding the space are notable buildings such as the London Pavilion and the Criterion Theatre, and the area hosts a variety of retail outlets, restaurants, bars and nightclubs. Access is via the underground station and the surrounding road network; entry to the public space is free and there are no admission charges.

Spencer House

St. James's · 0.6 miles

A distinguished townhouse stands at 27 St James’s Place in the St James’s district of Westminster, Greater London. Recorded as a Grade I listed building, the structure is identified on mapping data as a historic palace-type castle, with its construction dated to 1754. The façade, designed by architect John Vardy—who had trained under William Kent—presents a classic Georgian frontage, while later work by James “Athenian” Stuart introduced authentic Greek motifs that make the interior one of London’s earliest examples of the neoclassical style. Commissioned in 1756 by John Spencer, later the first Earl Spencer, the house served as the family’s London residence until the late nineteenth century. It hosted a succession of high-society tenants, including the American widow Sarah Roberts, mining magnate Barney Barnato, and the Vanderbilt family, before the Spencer family finally vacated the premises in the early 1920s. During the First World War the building was offered rent-free to the British Government and accommodated offices of several Royal Commissions. An adjoining dower house at No 28 St James’s Place, originally built for the Spencer household, was also used intermittently as a London base by the Earls. Access to the property is via St James’s Place; as a privately owned, listed building, it does not operate a public admission scheme or visitor facilities.